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Portrait.

Self-Portrait with Dr. Arrieta, 1820

Francisco José de Goya y Lucientes

G306

gallery installation of a fictional "period room"

%C2%A9 Mark Dion Studio

Curator's Office, 2012-13

Mark Dion

G378

suit includes helmet with praying mantis maedate (forecrest), menpo (face mask), torso covering, pair of front shoulder medallions that attach to torso covering, pair of large upper arm guards, pair of small shoulder coverings (each with a pin for attachment), pair of gauntlets with arm and hand guards, apron, pair of tsutsu suneate (leg guards), and pair of kote (boot coverings); see Components for descriptions of each piece

Red-and-blue-laced Suit of Armor from the Kii Tokugawa Family, mid 17th century

Suit by Unknown Japanese; Artist: Helmet by Saotome Iechika

G219

low relief carving of a Winged Genius, from the Northwest palace of Ashur-Nasir-Pal at Nimrud; a wide band of inscribed writing crosses the slab in the central section

Winged Genius, c. 883–859 BCE

Assyrian

G240

Executed by an Athenian sculptor of marble from the quarry at Mount Pentelicus

Crouching Lion, 330-317 BCE

Ancient Greek

G340

Black-figured amphorah, used for carrying wine or oil; the front side depicts a quadriga with Poseidon, Amphitrite, another unidentified goddess, and heroenes; on the reverse and around warrior appears to be leaving for battle, with his wife and son bidding him farewell

Black-Figure Neck Amphora, c. 540 BCE

Attributed to the Painter of Vatican 359

G241

ritual beadwork with face and sixteen birds mounted on the crown; long fringe hangs from crown

Crown, about 1920

Yoruba

G236

Yet Belt, leather, shells, beads, twine, Zaire, Kuba Tribe

Royal belt, mid 20th century

Kuba

Not on View

The Annunciation, 1742

Agostino Masucci

G308

long cylinder, ends conical shaped; alligator stands along top facing drum surface; sets of triangular shapes adorn sides and bottom, used to support drum when rope is strung through; low relief carving over body and alligator painted with black field and white recesses

Hand drum (kundu), 20th century

Iatmul

G256

Portrait Sculpture of Priest Gyƍki, early 17th century

Unknown Japanese

G220

Neoclassical marble-top table; corresponds exactly to one of the engravings in Piranesi's volume of designs for furniture, I Cammini (1769)

Pier table, c. 1768

Giovanni Battista Piranesi

G307

The Fugitives, c. 1868–70

Honoré Daumier

G354

Carved stone yoke with design of a crouching man, his head in the jaws of a monster, gripping a snake. The corners are finished with men's heads in monster's jaws. Serpentine.

Yoke, c. 600-900

Nopiloa (Veracruz)

G260

Religious. New Testament. Jesus Christ seated wearing a crown of thorns, meditating quietly on the Passion. Cross building tools are on the floor surrounding him (hammer, awl, nails and broom).

Man of Sorrows, c. 1560

Luis de Morales (called El Divino)

G341

%C2%A9 Succession H. Matisse %2F Artists Rights Society %28ARS%29%2C New York

Boy with Butterfly Net, 1907

Henri Matisse

G371

Tomb figurine, one of a pair, representing a Civil dignitary. the type is individualized, and the features indicate that this person was of Khotanese origin. The figure made in a mould, is solid. The grey clay body, covered with a white slip, is painted with unfired pigments flesh tints, green, blue, gold. Details of the figure were completed by hand.

Tomb Figurine, one of pair, late 6th century

China

G208

seated male baboon with its front paws on its knees and its tail wrapped along the PR side of its body; turquoise blue

Baboon (Moon God Thoth), 7th - 6th century BCE

Ancient Egyptian

G250

man with thick belly, seated cross-legged on a platform; man wears crown, beaded necklace and holds flower in each hand; flames or flower behind head on architectural element

Deified King, late 10th century

Cham

G213

tapering from wide base; face with protruding eyes, open mouth, protruding forehead; very large fox-like high ears; looping "handle" on back of head; separate snake head may have originally protruded from mouth; pink with black linear designs

Mask, 20th century

Sulka

Not on View
curved; each clapper in the shape of a thin human arm and hand with long, thin fingers; incised bracelets at each wrist with linear patterns; ivory colored with some tan spotting

Pair of clappers, about 1550-1292 BCE

Ancient Egyptian

Not on View
Jar, wide-mouthed, in the form of a double-headed snake. Deep, flaring neck with a band of puma heads below the rim. Painted in polychrome. Rim chipped.

Jar, 11th-14th century

Nasca

G260

standing figure of green jade; short legs and short arms; frowning expression; wide nose; large incised blank eyes; pierced ears

Figure, 900-300 BCE

Olmec

G255

three bodies in a landscape with bare shrubs and small, short clumps of foliage with white and yellow flowers; body in foreground is face down with bare back and PL arm, with hand grasping tuft of flowers; bare legs of body at left; head and torso visible in bushes at center; two white butterflies at top, left of center; received framed and glazed with glass

The Bottom of the Ravine at Inkerman, 1855

Edward Armitage

G357

quadruped with rounded body, short legs with four toes on each foot, and wing-like appendages; scales on back and stomach; head is on center of body; open mouth with bared teeth; two small horns; forked tail; row of scrolling plates down back; red gemstone eyes; inlaid gems of various colors and types throughout; head removable

Censer in the shape of a mythical beast, 1736-1795

China

G214

Dignitary, probably a civil counsellor. Glazed pottery tomb figure, one of a pair, mounted on a stand. The costume is predominantly brown with details in mottled colors. Head, headdress and hands unglazed.

Tomb retinue, early 8th century

China

G208

Ewer, with pheasant's head stopper. Pear-shaped body, with tapering short neck and short spout, on domed, spreading foot. The removable stopper, in the form of a pheasant's head, is modelled in full relief with carved details, the double strand handle is also modelled. Buff white porcelain with even, creamy-white glaze.

Ewer with Pheasant-Head Stopper, 8th century

China

G204

One of two jars Japan’s first ceramic culture, the Jƍmon, produced strongly tactile pottery over 3,500 years ago. This lavishly decorated bowl was probably used during religious ceremonies. Its flamboyant rim, a typical feature of the middle period of Jƍmon pottery, is known as the “fire-flame” type, because the coils of clay resemble leaping flames. The word jƍmon, after which the historical period is named, means “cord markings” and derives from the distinctive patterns produced by rolling a rope-wrapped stick across the surface of the clay. The lower portion of this vessel bears these markings, together with whimsical designs carved into the surface of the clay.

Deep Bowl with Four Projections, 2500-1500 BCE

Unknown Japanese

G205

Landscape.

Tornado over St. Paul, 1893

Julius Holm

Not on View
Tomb figurine, one of a pair, representing a Civil Dignitary. The type is individualized, and the features indicate that this person was of Khotanese origin. The figure is mould-made of grey clay, with a white ground, and painted, pigments flesh tints, red, green, blue, and gold. The figure is solid, the details being completed by hand.

Tomb Figurine, one of pair, late 6th century

China

G208

Guardian of one of the quarters of the Buddhist heaven. Glazed pottery tomb figure, one of a pair, dressed in armor and standing on a kneeling bull. A fine blue predominates in color scheme, with details in white, brown, mottled green and yellow. Elements of Sassanian design appear on the armor. Head, phoenix headdress, and hands unglazed.

Tomb retinue, early 8th century

China

G208

Louis-Philippe, King of the French, Ferdinand Philippe Louis Charles Henri, Duc d'Orléans, and Louis Charles Philippe Raphaël d'Orléans, Duc de Némours.

Louis Philippe (1773–1850), King of France, and his Sons, the Duke of Chartres and the Duke of Nemours, c. 1830–1832

Baron François-Pascal-Simon Gérard

G305

Portrait. Former stretcher for the canvas to this piece is on R7A1.3 MS.

Mrs. T. in Cream Silk, No.2, 1920

George Bellows

Not on View
ritual divination object in the form of an elephant

Itwomba, 19th-20th century

Kuba

Not on View
iconography either a snake or a bird

Pambadam Earrings, 19th-20th century

India

G211

Side table, late 17th century

Attributed to Giovanni Paolo Schor (born Johann Paul Schor)

G310

A Colonial Wood Beaker, A.D.1470-1560 of flaring shape painted in ochre, reddish orange and pale green with a procession of weapon-bearing Inca dignitaries, each clothed in a cape and feathered headdress, followed by two European-attired personages.

Vessel, c. 1470-1560

Inca

Not on View

Art-glass panel for a bay window, 1909

William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)

G300

Helmet Mask, wood and hair, full head tilted slightly upwards, fully scarified face and geometrically shaven head.

Mask, 1950s

Makonde

G254

Vessel, engraved earthenware, Hodges, Arkansas, North American XIIIc., with black metal stand

Bowl, 1250-1499

Mississippian

Not on View
Seated female figure, legs missing, wearing a short apron-like garment terminating at the knees. Upper body clothed in a laced jerkin suggested by applied rolls of clay. Wide bands of clay form a turban headdress and wristlets. A thick roll of clay with ball pendant makes the necklace and a ball of clay serves as a nose ornament. There are traces of painted bands around the eye sockets, and around the slit mouth. Ear plugs and rings. The hands, resting on knees, are sketchily modeled. Restored at neck.

Figure, 500-799

Nopiloa (Veracruz)

G255

Boy seated in front under a tree with a yoke, buckets, and a jug, pointing to Tobias and the Angel walking on the right.

Shepherd Boy Pointing at Tobias and the Angel, c. 1625–30

Abraham Bloemaert

G312

Initiation mask, 20th century

Suku

G254

Vase in the from of a chieftain with ear plugs and large headdress. Arms bound in back indicate the status of a prisoner.

Vessel, 6th-8th century

Moche

Not on View
beaded overall, including soles; blue beaded ground with triangles and squares in white, red, dark blue, green, yellow and black; fringe at heel, plain tongue; tie at front

Moccasins, c. 1880-1910

A'aninin (Gros Ventre)

Not on View
ladle with slightly concave bowl, handle carved with animal image

Ladle, 19th century

John Young Bear

Not on View
Balls of wrapped thread on a board a)Purple, magenta, orange, and green yarns wrapped in black thread H.3 x Dia.5-1/2 in; b)Green net wrapped in orange and yelow thread; H.2-1/4 x Dia.5-1/4 in. c)Paper, blue fabric tape wrapped in bright orange thread; H.3-1/2 x Dia.6-1/2 in. d)Burgundy fabric, ocher yarn wrapped in maroon and violet thread; H.2 x Dia.5 in. e)Olive and teal yarn wrapped in brown thread; H. 2-1/2 x Dia.6-3/4 in f)Lavendar and maroon fabric wrapped in navy thread; H.2-1/2 x Dia.5-3/4 in g)cerise fabric werpped in red and purple thread; H.2-3/8 x Dia. 3-3/4 in h)blue fabric and orange net wrapped in red and peach thread; H.2 x Dia.4 in i)hunks of white thread wrapped in orange yarn; H.2-1/4 x Dia.5-1/2 in j)plaid fabric wrapped in orange, purple and maroon thread; H.1-3/4 x Dia.4 in. k)white fabric and maroon ribbon wrapped in purple and maroon thread; H.1-1/2 x Dia.3 in. l)orange fibers wrapped in light blue thread; H.1-3/4 x Dia.5 in. m)orange thread and fabric wrapped in purple thread and purple ribbon; H.1 x Dia.2-5/8 in n)pink, green fibers wrapped in purple thread; H.7-8 x Dia.2-1/4 in o)blue fabric wrapped in orange thread; H.1 x Dia.2-1/4 in p)orange and green yarn wrapped in white thread; H.2-1/4 x Dia.5 in q)light green yarn wrapped in yellow thread; H.2-1/4 x Dia.5 in r)magenta and natural yarn wrapped in white thread; H.2-1/2 x Dia.5 in s)green, yellow and brown yarn wrapped in yellow thread; H.2 x Dia.4-1/2 in t)orange and white wrapped thread; H.2-1/8 x Dia.5-1/2 in u)table top for display; H.1/4 x W.30-1/2 x D.15-1/4 in

Copyright %C2%A9 Sheila Hicks. All rights reserved.

Family Treasures, 1991

Sheila Hicks

G303

triptych; three panels of computer printout paper with side roller track intact; running horse with Native American rider, a running Euro-American is in front of horse, carrying a piece of paper with writing and saying the name of a Native American tribe; movement to the left

%C2%A9 Lakol 1995 %28Cultural Copyright%3B Lakol%3B of the Lakota Culture%29

Anthropology: We're Not Your Indians Anymore, 1995

Wanbli Koyake

Not on View
two large central orange amber beads flanked by large group of stringed beads; coins mounted to hanging arms and smaller orange amber beads

Necklace (tasdit), early 20th century

Ida ou Semlal Amazigh (Berber)

G254

dish (attributed to John Simpson), ceramic, English, XVIIIc cat. card dims diam 11-1/4'

Charger, c. 1715

attributed to John Simpson

G331

Longquan celadon lotus bowl, has own storage box

Bowl, 12th-13th century

China

G204

three sheets of bark joined and attached to a wood frame construction on back; seated female figure depicted, body bordered by a banded line; fringe border around exterior of panel; hands up at sides; five hoops hanging from each ear; tongue stuck out

Mortuary Panel, 20th century

Tshuosh (Sawos)

Not on View
pitcher form with pulled handle and spout; wide mouth; plate-shaped lid; glazed grey overall with underglaze iron floral patterns in brown

Ewer with floral design, 12th-13th century

Unknown Korean

G206

standing male figure carved from board; carved on one side; relief carving at interior, appearing to represent bone structure and colored with white pigment; hole at top of head for hanging

Bioma Figure, 20th century

Papua New Guinea

G256

ebony hinge covered box with scroll feet; ivory inlay of geometric floral patterns; side adorned by two panels, floral background with unique pairs mirroring each other banding around each field with inlaid agate cabochons at corners and sides; burlwood interior with seven ivory medallions

Coffer, 1873

Giovanni Battista Gatti

Not on View
Pot in form of Fish with a double spout handle rising from the back. Slight modelling on head, tail, and fin area. Other features painted in grey, black, yellow, red and white. Broken at tail; cracked around head.

Vessel in the Form of a Fish, c. 100 BCE - 600 CE

Nasca

G260

Judith with the Head of Holofernes, 1750

Ignazio Collino

G324

Tripod effigy vessel, large, with the head of a jaguar in high relief. Two legs, finished at the base of the neck with rigid ring handles formed of the jaguar's front legs, represent the hind legs and are pierced and contain pellets. The third support, in the form of a flattened tail, emerges from the back of the vessel. The jaguar head, an oblong, bib-like area below, the legs, and a wide band at the throat, are painted in polychrome with geometric designs on an orange ground. High polish.

Vessel, c. 1100 - 1200 CE

Guanacaste

Not on View
Carved wood and gilded console top is of breche d'Aleppe marble; frame and stretchers covered with a profusion of ornament; legs in front are double - all entwined with laurel. The stretcher supports a large classical vase with a Greek border surmounted with an acorn finial and draped with floral garlands and laurel sprays. On every part of the table are eloborate floral swags. Louix XVI period.

Console table, c. 1775-1800

Italy (?)

G310

black pot representing Corn God, surrounded by ears of corn; cracked

Vessel, 11th-15th century

Chimu

G255

A piece from the tapestry cycle woven for Marie de' Medici, The Stories of Queen Artemisia, based on an epic account by Nicolas Houel; weaving attributed to the workshop of Lucas Wanderdalle in the Faubourg Saint-Marcel manufactory of Marc de Coman and François de la Planche; warp undyed wool, 6Âœ-8 ends per cm., weft dyed wool and silk, 20-48 ends per cm.

The Queen Distributing the Booty, designed 1562–1565 (woven 1611–1627)

attributed to Workshop of Lucas Wandandalle at the Faubourg Saint-Marcel manufactory of Marc de Comans and François de la Planche; Delineator: Central design by Antoine Caron; Designer: Border design by Guillaume Dumée; Designer: Border design by Lauren Goyot; Cartoonist: Central cartoon by a painter active in France; Designer: Border design and cartoon by Guillaume Dumée and Laurent Guyot

Not on View
Earth Spirit with human head and removable flame halo. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a deep cylindrical base with mottled glaze. The figure is predominantly blue, with white areas. Head and halo unglazed.

Tomb retinue earth spirit, 8th century

China

G208

Horse with long mane and clipped tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The decoration of the trappings is in the Sassanian style. Glaze predominantly a fine cobalt blue which has oxidized on the hind legs to an irridescent silvery-blue. Saddle and top saddle pad unglazed.

Horse, early 8th century

China

G208

Copyright %C2%A9 Dag Alveng %2F Courtesy Deborah Bell%2C New York

Maureen and Oscar II, 1981

Dag Alveng

Not on View
Guardian of one of the quarters of the Buddhist heaven. ca 725 A.D. Glazed pottery tomb figure, one of a pair, wearing armor and standing on a kneeling bull. The costume is predominantly blue in tone, but there is much use of mottled yellow, brown and blue in the skirt sections. Elements of Sassanian design in armor. Head and phoenix headdress unglazed.

Tomb retinue guardian, early 8th century

China

G208

Earth Spirit with lion's head. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a cylindrical base with mottled glaze. The figure is predominantly blue and white with patches of yellow and malachite green.

Tomb retinue earth spirit, 8th century

China

G208

Camel, Bactrian type, with blanket and saddle bags. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. Glaze predominately brown and yellow with mottled areas of blue, green, yellow and brown in the saddle-bags and blankets.

Camel, early 8th century

China

G208

Camel, Bactrian type, with saddle blanket with Sassanian decoration. ca. 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. Glaze predominately brown and yellow with mottlings of blue, green, and yellow.

Camel, early 8th century

China

G208

Art-glass panel for a bay window, one of six, 1909

William Gray Purcell; Maker: E. L. Sharretts (working for Pittsburgh Plate Glass Co.)

G300

wood cut into shape of miniature rifle; decorated with carved lines on one side and five thunderbirds on other side; ribbons tied to rawhide ties in holes at barrel end and at hammer area

Miniature Gunstock War Club, c. 1860

Anishinaabe (Ojibwe)

Not on View

Tapa Cloth, 19th century

Society Islands

Not on View
diamond-shaped head; upper part decorated with five fields of zigzags in various patterns; smooth handle with hole for hanging on bottom

Battle Club, c. 1820

Tonga Islands

Not on View
flat rectangular base with horizontal open cylinder above, supporting a wide rectangular top

Neckrest, 19th century

Fiji Islands

G256

cizhou painted pottery dish; flowering plant in green and red, banding of red borders, design inside rim, has own storage box

Dish, 13th century

China

G204

silver claret jug with hinged cover; overall floral motif, highly decorative, large upside down heart at each side, raised cobra forms the handle, hinge and central decorative element on top of the cover

Claret Jug, c. 1890

India

G211

Horse with clipped mane and tail. ca 725 A.D. Glazed pottery tomb figure, one of a pair, on a flat base. The trappings, including double saddle pads and a saddle draped with a knotted cloth, are decorated with Sassanian motifs. Brown glaze with patches of manganese in oxidized areas.

Tomb retinue horse, early 8th century

China

G208

Large oval jar with the neck representing a human head. The face is slightly modelled, with nose and chin in full relief, but with eyes and hair painted. The upper section of the jar is painted to represent a poncho worn over the shoulders. The poncho is striped vertically in dark brown, rust, and cream on the front and in the back in stripes of dark brown only, possibly to represent the hair of the figure. This jar is interesting as illustrating the manner in which ponchos were worn. Late Nazca per Schoeler--MWS.

Jar, 3rd century BCE - 6th century CE

Nasca

G255

Religion: NT. Triptych, center panel gabled; wings together form gable. Madonna and Child with Paul, Peter, Catherine and Helena. Francis. Miracles. Stigmatization of Francis in retreat on Mount Alverna. Annunciation. Mary, usually reading, is visited by the Angel. Crucified Christ with Mary and John the Evangelist. Central panel Madonna and Child enthroned; the child stands in his mother's lap facing her, his arms extended; the Virgin looks at him with a half smile; she wears a red lined blue mantel over a dark red gown; back of throne decorated with slender arabesques on scarlet ground; to left of throne stands St. Helen and St. Peter, to the right St. Catherine and St. Paul; the colors of their robes are ivory, rose, mauve, gold, dull green; gold leaf background; left wing St. Francis Receiving the Stigmata; dull mauve robe; angel's drapery scarlet; gold background; right wing Crucifixion; Mary in black standing at foot of cross; gold leaf background; Pinnacles The Annunciation, Virgin's robe black against scarlet background with decorative motifs of throne, angel, diaphanous rose drapery against gold leaf background; panels bordered with incised motif, haloes bear incised decoration; gold background brilliant, colors fresh. Unsigned.

Madonna and Child Enthroned with Saints, 1339

Bernardo Daddi

G343

circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes

Armchair, one of a pair, c. 1810-1830

India

G209

Copyright of the artist%2C artist%27s estate%2C or assignees

Opening Night in Lehmiche's Barn, 1945

Audrey Freeman

G353

Dignitary. Military leader. Glazed pottery tomb figure, one of pair, mounted on a stand. The costume includes a blue robe, pleated brown skirt and white underskirt. Head and headdress unglazed.

Tomb retinue, early 8th century

China

G208

Giovanni Volpato, Europa and the Bull,Bisque, ceramic-porcelain, Italian, XVIII c. cat. card dims 10-1/2 x 9-1/4 x 7-1/4'; no photo. on card; neg. no. 14-265.1.4

Europa and the Bull, 1790s

Giovanni Volpato

G310

winter night scene with snow, trees and bridge in foreground; bright lights at base of buildings in background.

%C2%A9 Estate Adolf Fassbender%2C Fassbender Foundation

The White Night, 1932

Adolf Fassbender

Not on View
circular fluted front legs; scrolled upper back splat; arms fluted and curl under in front; caned seat panel which removes

Armchair, one of a pair, c. 1810-1830

India

G209

two otter hide tubes with hide tassels and long beaded and hide-detailed pendants; cross-body shoulder strap of red and blue felt with blue and white beads and bells; geometric beading in mostly triangular shapes

Bow Case and Quiver, c. 1885

ApsĂĄalooke (Crow)

Not on View

%C2%A9 Arthur Luiz Piza %2F Artists Rights Society %28ARS%29%2C New York

Equilibre rouge (gray variant), 1967

Arthur Luiz Piza

G255

%C2%A9 Arthur Luiz Piza %2F Artists Rights Society %28ARS%29%2C New York

The Green Cosmos, 1969

Arthur Luiz Piza; Publisher: La Hune, Paris

G255

Kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. The scene is described in the Bible: Matthew 26:51, Mark 14:47, Luke 22:47, John 18:3-10 (Then Simon Peter, having a sword, drew it and struck the high priest's slave (Malchus) and cut off his right ear." John 18:10)

The Betrayal of Christ, c. 1618–1620

Anthony van Dyck

G313

Stoup (holy water basin), c. 1715

Giovanni Giardini da Forli

G308

Pendant, c. 800 - 1100

Veraguas

G255

Gourd-shaped with lid; spade-shaped protrusion with opening on top of ewer handle; top of curl on lid handle is gilded; has lidded wooden box

Ewer in the shape of a gourd, 12th century

Unknown Korean

G206

Genre. Unsigned.

The Birthday Party, 1885

John Singer Sargent

G303

Plate CLXVIII, Restruck on Vellum, from "Histoire des Insects de l'Europe", 1730

Maria Sibylla Merian

G209

ornamental engraving, black and white

Feste Bacchique, 1729-1731

Antoine Watteau; Engraver: Jean Moyreau

G317

The Element of Water, c. 1576-1577

Francesco da Ponte (Francesco Bassano); Artist: Jacopo da Ponte (Jacopo Bassano)

G340

organic, curving, turned wood-like form with central open spaces; reddish finish

%C2%A9 2003 Tony Cragg

Pulse, 2003

Tony Cragg

G380

portrait of Diana with light brown curly hair in an updo with some loose curls in front, wearing a gold and silver headdress, earrings with clear drops and an armlet with a large green gem and pearls; figure is bare-breasted and wears a pinkish-red garment and holds a spear on a staff with a pinkish-red tassel

Diana as Goddess of the Hunt, 1607

Cornelis Cornelisz. van Haarlem

G311

abstract painting that resembles image of human figure composed of geometric shapes in black, orange, yellow and white; figure is holding weapon in PL hand with arm raised; dead white bird in center; PR hand of figure is around neck of bird; bird rests atop stylized column; blue circle in upper left quadrant

%C2%A9 Estate of Charles Alston

Symbol, 1953

Charles Alston

G376

a. body; b.right arm; c. left arm; d-g. nails. [Culture formerly "Probably Sevilla, Spain" - FLB, 03/15/2016]

Corpus, c. 1700

Master of Guadalcanal

G341

hexagonal Box with lid, red lacquer. Flat top incised with two phoenix in flight among flowering peonies on a cell pattern ground; sides with shaped reserves of confronting dragons on key fret ground. Qianlong six character mark.

Hexafoil Box, 1736-1795

China

G210

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